Carey Mortimer
Charred II - egg tempera on gessoed cloth - 42 x 42cm
Elicriso - fresco (marble dust and lime) mounted on alveolam panel - 54 x 56cm
The Temptation of Saint Anthony - egg tempera on gessoed cloth - 52 x 56cm
The Mercy of Metamorphosis I - buon fresco mounted on alveolam panel - 55 x 55cm SOLD
The Mercy of Metamorphosis III - buon fresco mounted on alveolam panel - 42 x 48cm SOLD
The Gift - botanical inks on gessoed cloth - 57 x 71cm
Charred III - egg tempera on gessoed cloth - 72 x 96cm
Coded - egg tempera on gessoed cloth - 26 x 28cm SOLD
Umbels - egg tempera on gessoed panel - 31 x 31cm SOLD
Waiting for Neptune - punic wax and egg tempera on canvas - 45 x 45cm SOLD
Fire Followers II - egg tempera, bole, gold leaf on gessoed cloth - 34 x 34cm SOLD
Numen - punic wax on canvas - 90 x 90cm
Romance - egg tempera on panel - 94 x 85cm
Water II - palladium leaf, bole on gessoed panel - 30 x 27cm
Water I - palladium leaf, bole on gessoed panel - 30 x 27cm SOLD
St Anthony Tempted by a Heap of Gold (a copy) - egg tempera on gessoed panel - 45 x 45cm
Precious Cargo II - mixed media on fresco - 40 x 40cm
Charred I - egg tempera on gessoed board - 32 x 32cm SOLD
The Mercy of Metamorphosis II - buon fresco - 52 x 56cm
Precious Cargo I - egg tempera, shell gold on gessoed panel - 18 x 24cm SOLD
Summer Past - botanical ink, egg tempera on gessoed panel - 48cm x 42cm
Desert Flower III - botanical inks, shell gold on paper - 36 x 30cm SOLD
Principessa - egg tempera on gessoed cloth - 93 x 68cm
Fire Followers I - egg tempera, bole, gold leaf on gessoed cloth - 45 x 25cm
‘..things unknown but longed for still…' - egg tempera, silver leaf on Debola slate - 61 x 36cm
L'Orto - egg tempera on gessoed canvas - 39 x 30cm
Prayer of the Heron - fresco with egg tempera mounted on alveolum panel - 58 x 80cm
Fragment - fresco with silver leaf and egg tempera - 45 x 46cm SOLD
Discovering fresco set Carey Mortimer on her path as an artist. After graduating from City and Guilds of London Art School in 1986, she studied under Italian restorer Leonetto Tintori, who introduced her to the medium of the ancients and encouraged her to unravel it.
Lime, sand, pigment, yolk . . . how to make new the alchemies of the past? Carey likes to unzip the science: fresco is painting turned to stone, egg tempera is hardening strings of protein, gold is stable and stays gold forever. First know the rules to break them. And if nature is already divine, why compete? Freed from its ordinary context, a gathered leaf / mermaid’s purse / bowl or feather can take on a different function altogether: ‘A painting is only a rearrangement of matter into another form.’ The artist as chemist of the imagination. The studio as crucible, microscope, chantry.
Past and present speak in their own ways. Alert to the languages of both, Carey blends age-old techniques and her own contemporary sensibility to create surprising visual poems. Her paintings acknowledge the difficult noise of our time, but by reminding us to see beauty they offer a healing perspective, and in doing so help restore balance.
A Dundee University MPhil, Carey has been exhibiting with the Thackeray Gallery since 1994. Her work can be found in many public, private and corporate collections worldwide, including Aviva Headquarters, London; Farleigh Hungerford Castle; Firmdale Hotels, London; and Jones Day, London and New York.
Maria de Jong.